“Oh! Miss Woodhouse, what a pity that I must not write this beautiful charade into my book! I am sure I have not got one half so good.”
“Leave out the two last lines, and there is no reason why you should not write it into your book.”
“Oh! but those two lines are”—
—“The best of all. Granted;—for private enjoyment; and for private enjoyment keep them. They are not at all the less written you know, because you divide them. The couplet does not cease to be,
“Oh! Miss Woodhouse, what a pity that I must not write this beautiful charade into my book! I am sure I have not got one half so good.”
“Leave out the two last lines, and there is no reason why you should not write it into your book.”
“Oh! but those two lines are”—
—“The best of all. Granted;—for private enjoyment; and for private enjoyment keep them. They are not at all the less written you know, because you divide them. The couplet does not cease to be,
